The Impossibility Of Seeing And Knowing
MoMA’s brochure says the question of whether a painter who veers back and forth between abstraction and realism can be taken seriously is precisely the point of Richter’s work: “[He] has challenged painting to meet the demands posed by new forms of conceptual art.” Conceptual artists–those playful art-world intellects from Marcel Duchamp right up through any number of tyros just out of art school yesterday–think that visual style is a fool’s game, a relic of the days when art in museums was confined to brownish old paintings and sculptures....